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| CITAZIONE (dickycobb @ 23/2/2011, 23:46) Avete notato che dietro la scrivania di Gibbs c'è una foto del telefilm 240Robert? E poi mi sembra ci sia anche la foto della mamma di MH. La foto di 240 Robert si l'ho vista , quella della mamma non l'ho notata devo riguardare L'episodio e' troppo divertente ma e' anche ben fatto, la parte dove Tim guida Gibbs al server col count down di sottofondo e' bellissima, peccato solo che avevo intuito che Martin era coinvolto, ficcava troppo il naso nel caso! Gibbs e' un mito mi ha fatto morire dal ridere ma e' stato grande anche McGeeminator e anche Tony che aiuta Tim a vincere le sue paure e lo spinge verso Maxine adoro questo lato di Tony. Penso anch'io che rivedremo prima o poi il trafficante di droga, niente e' casuale nell'NCIS CITAZIONE My first shout-out goes to Steven Kriozere. You may have noticed that this script was based on his story. So to paraphrase Isaac Newton, “If you liked this episode, it is because I have stood on the shoulders of a giant.” Figuratively…and literally. Steve K. is like 6’3” or something. But he also wrote a killer outline that was a LOT of fun to produce. We had laser tag, McGee “playing” Gibbs like a video game, and a super smart and beautiful video game savant love-interest (played by the super smart and beautiful, Beth Riesgraf).
My second shout-out goes to Sean Murray. Between getting investigated by a Pentagon computer security guy; dealing with an incredible amount of tech-speak; and having to hit all the emotional beats with Beth, he really rose to the occasion. He wasn’t just in almost every scene…he was carrying almost every scene. And he nailed it, every time.
We shot the sequence where McGee leads Gibbs to the Armageddon/Doomsday computer in the basement of a place called “Crazy Gideons” in downtown Los Angeles. It’s closed now, but the owner, Gideon Kotzer, used to run these commercials in the middle of the night, yelling how crazy his prices were, then being dragged off to a mental institution in a straight-jacket by a cop and busty nurse. All the electronics have since been cleared out and what now remains looks eerily similar to what I’ve been told was the building’s original function: a slaughter house. However spooky that giant basement looked on television, it was 10X in person. It was pitch black, there were corridors leading off in all directions and only small pools of light to see by. I kept expecting some nefarious presence, lurking in the shadows, to start picking us off one by one. Maybe the ghost of some evil cow or something.
That’s it for now. I hope you enjoyed the episode. And thanks for tuning in.
Steve Binder Co-Executive Producer Binder ha scritto sull' Insiders Blog
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